A year of cinema

From sets and scenery to costume creation, we sit down with some of today’s leading voices for a lesson in crafting films’ visual identity. Sean Baker, director of ‘The Florida Project’, takes us inside the setting of his standout film, we step inside the workshop of Viennese cos ... Show More

Grab yourself a glühwein as we get into the festive spirit with our favourite picks of the season. Tara Judah recalls some of her seasonal films, we touch down at the Rome Film Festival and embark on a tour of Alfred Hitchcock’s London. 

In this inky special we examine the many ways cinema impacts the printed page. Pedro Almodovar’s storyboard artist Pablo Buratti takes us inside the often-hidden art, we get a lesson in graphic art from Austrian poster designer Matthias van Baaren, and Taschen’s Paul Duncan has t ... Show More

Grab your popcorn and have a seat as we look back at the record-setting slate of movie releases from last year, the leading entertainment companies behind them, and what film-loving investors can expect in 2017. 

We’re ashamed that it took us this long to watch this movie. Tune in as we discuss Ready or Not, which is widely considered one of the best horror films of 2019. 

The Guardian film team’s round-up of Friday’s movie news and reviews 

Before VENOM: LET THERE BE CARNAGE hits theaters next week, let’s take a look back at the original 2018 film! 

A frighteningly lackluster summer box office, human ScarJo dukes it out with OpenAI’s ‘definitely-not-supposed-to-sound-like-ScarJo’ ScarJo, and the movies making noise at this year’s Cannes Film Festival–not necessarily in a good way. Kim Masters and Matt Belloni break down this ... Show More

Writer Isabel Dréan talks about her shift from thrillers to holiday movies, leading to five of her scripts being produced in an 18-month period.