Shostakovich Symphony No. 10

Thence the universe resounds With a joyful cry I AM. These are the final lines of Alexander Scriabin's epic Poem of Ecstasy, a 300-line poem that takes nearly 10 minutes to read aloud and is one of the most surreal texts in the world. Scriabin wrote a Poem of Ecstasy in text and ... Show More

Ancient, mysterious, brooding savage dreams; Within them dwells the Forest's mighty God, And wood-sprites in the gloom weave magic secrets. These lines are affixed to the first page of Sibelius' tone poem Tapiola, a piece that is mysterious in many ways and stands as Sibelius' la ... Show More

In the aftermath of World War II, the Swiss composer Arthur Honegger, who had been living in occupied Paris throughout the war, wrote a new symphony entitled "Liturgical." He wrote an extended commentary on the piece, which included these lines: "My intention in this work was to ... Show More

The eclectic composer joins members of the ACME ensemble for some of his most affecting music, which moves the audience to tears.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NP ... Show More

In today's episode, Stephen and Joanna pour over some of the most passionate music ever performed and conceived - the violin concerto. They explore the mechanics of violin playing, discuss their favourite virtuoso fiddlers and also explore major works by Elgar, Brahms, Tchaikovsk ... Show More

It’s time to delve into the tale of Clara Schumann, the phenomenally gifted composer who was, in many ways, The Greatest Schumann. Each episode is also accompanied by a playlist in Apple Music – you can find those here: https://itunes.apple.com/gb/curator/classic-fm/1211395150 Cl ... Show More

Have you ever wondered how a conductor deciphers the individual musical parts and melodies from a whole opera score? In this episode, Stephen and Joanna deconstruct Richard Strauss’ monumental opera, Salome - a score which contains the so-called “most sickening chord in all opera ... Show More