Phases

Music for 18 Musicians: Pulses

Music for 18 Musicians: Section I

Music for 18 Musicians: Section II

Music for 18 Musicians: Section IIIA

Music for 18 Musicians: Section IIIB

Music for 18 Musicians: Section IV

Music for 18 Musicians: Section V

Music for 18 Musicians: Section VI

Music for 18 Musicians: Section VII

Music for 18 Musicians: Section VIII

Music for 18 Musicians: Section IX

Music for 18 Musicians: Section X

Music for 18 Musicians: Section XI

Music for 18 Musicians: Pulses II

Different Trains: America—Before the war

Different Trains: Europe—During the war

Different Trains: After the war

Eight Lines (Octet)

You Are (Variations): I. You are wherever your thoughts are

You Are (Variations): II. Shiviti Hashem l'negdi (I place the Eternal before me)

You Are (Variations): III. Explanations come to an end somewhere

You Are (Variations): IV. Ehmor m’aht, v’ahsay harbay (Say little and do much)

New York Counterpoint: I. Fast

New York Counterpoint: II. Slow

New York Counterpoint: III. Fast

Cello Counterpoint

Electric Counterpoint: I. Fast

Electric Counterpoint: II. Slow

Electric Counterpoint: III. Fast

Triple Quartet: First Movement

Triple Quartet: Second Movement

Triple Quartet: Third Movement

Come Out

Proverb

The Desert Music: First Movement (Fast)

The Desert Music: Second Movement (Moderate)

The Desert Music: Third Movement, Pt. 1 (Slow)

The Desert Music: Third Movement, Pt. 2 (Moderate)

The Desert Music: Third Movement, Pt. 3 (Slow)

The Desert Music: Fourth Movement (Moderate)

The Desert Music: Fifth Movement (Fast)

Music for Mallet Instruments, Voices and Organ

Drumming: Pt. I

Drumming: Pt. II

Drumming: Pt. III

Drumming: Pt. IV