The Great EMI Recordings - English Songs: Dowland, Purcell, ...

The Firste Booke of Songes, 1597: No. 17, Come Again, Sweet Love doth Now Invite

The Third and Fourth Booke of Ayres, 1617: No. 14, Neuer loue vnlesse you can

The Third and Fourth Booke of Ayres, 1617: No. 1, Oft have I sigh'd for him that hears me not

The Third and Fourth Booke of Ayres, 1617: No. 7, If thou long'st so much to learn

The Third and Fourth Booke of Ayres, 1617: No. 25, Fain would I wed a fair young man

Sleep, Adam, Sleep and Take Thy Rest, Z. 195

Lord, What is Man, Z. 192

My lovely Celia: "My lovely Celia, heav'nly fair"

Tell me, lovely shepherd (Arr. Poston)

Where the Bee Sucks (From Shakespeare's "The Tempest")

Ayres and Dialogues, Book III: No. 29, A Dialogue Upon a Kisse. "Among Thy Fancies Tell Me This" (feat. George Malcolm & Kenneth Heath)

A Dialogue between Charon and Philomel: "Charon! O gentle Charon! … What voice so sweet" (Philomel, Charon) [feat. George Malcolm & Kenneth Heath]

A Dialogue between Daphne and Strephon: "Come, my Daphne … 'Tis Strephon calls" (Strephon, Daphne) [feat. George Malcolm & Kenneth Heath]

Giù nei Tartari Regni, HWV 187 (feat. George Malcolm & Kenneth Heath)

Quando in calma ride il mare, HWV 191 (feat. George Malcolm & Kenneth Heath)

Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet" (Arr. for Two Voices and Piano)

Pausanias, Z. 585: No. 2, Song. "My Dearest, My Fairest" (Arr. for Two Voices and Piano)

The Maid's Last Prayer, Z. 601: No. 2, Song. "No, Resistance Is but Vain" (Arr. for Two Voices and Piano)

King Arthur, Z. 628, Act 2: Duet. "Shepherd, Shepherd, Leave Decoying" (Perf. by Voices and Piano)

English Lyrics, Set No. 2: No. 1, O Mistress Mine, "O mistress mine, where are you roaming?" (Allegretto)

English Lyrics, Set No. 5: No. 2, Proud Maisie, "Proud Maisie is in the wood" (Allegretto)

La Belle dame sans merci: "O what can ail thee, knight-at-arms"

Linden Lea

3 Songs, Op. 3: No. 1, Love's Philosophy, "The fountains mingle with the river" (Very quick and passionate)

Songs Sacred and Profane: No. 4, The Salley Gardens, "Down by the Salley Gardens" (At speaking pace)

The Fields Are Full of Summer Still

Pretty Ring Time: "It was a lover and his lass"

Rest: "On me to rest, my bird my bird"

Corpus Christi Carol (From A Boy Was Born, Op. 3)

Comin' Thro' the Rye (Children's Song, Arr. Robert Burns)

5 Shakespeare Songs: No. 1, Orpheus, "Orpheus with his lute made trees" (Allegro moderato)

Bushes and Briars (Voice and Piano Version)

5 Shakespeare Songs, Set No. 2, Op. 23: III. It was a lover and his lass (Allegretto moderato)

Irish Country Songs, Volume I: No. 7, I know where I'm goin' (Moderato)

5 Traditional Songs of France: III. Me soui mesocu danso, "Me suis mis en danse" (after Traditional from Quercy)

Gavotte

Let Us Garlands Bring, on Poems by Shakespeare, Op. 18: V. It was a lover and his lass

Drink to Me only with Thine Eyes (Arr. Ronald Kinloch Anderson)

Spring Symphony, Op. 44, Pt. 2: VIII. Out on the Lawn I Lie in Bed (feat. Janet Baker & London Symphony Chorus)

Troilus and Cressida, Act 2 Scene 1: "How can I sleep?" (Cressida)

Troilus and Cressida, Act 2 Scene 1: "At the haunted end of the day" (Cressida)

Troilus and Cressida, Act 3 Final Scene: "Diomede!... Father!... Pandarus!" (Cressida)