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Sonate Romantique in D Major, Op. 22: I. Allegro
Alessandro Clerici & Chiara Sarchini
Sonate Romantique in D Major, Op. 22: II. Adagio ma non tanto
Alessandro Clerici & Chiara Sarchini
Sonate Romantique in D Major, Op. 22: III. Allegro
Alessandro Clerici & Chiara Sarchini
Nocturne in A Minor, Op. 42, Andantino con moto
Alessandro Clerici & Chiara Sarchini
Nocturne in A Major, Op. 73, Andantino con moto
Alessandro Clerici & Chiara Sarchini
Romance in F Major, Op. 25, Andante con moto
Alessandro Clerici & Chiara Sarchini
Blumenleben, Op. 30: I. Knospensprossen in D Major, Andante non tanto
Alessandro Clerici & Chiara Sarchini
Scherzo in G minor, Op. 80, Allegro - Andante molto espressivo - Allegro
Alessandro Clerici & Chiara Sarchini
Symphony No. 1 "Titan": I. Langsam. Schleppened. Wie ein Naturalaut. Im Anfang sehr gemaechlich
Hermann Scherchen & London Philharmonic Orchestra
Symphony No. 1 "Titan": II. Kraeftig bewegt, doch nicht zu schnell. Trio. Recht gemaechlich
Hermann Scherchen & London Philharmonic Orchestra
Symphony No. 1 "Titan": III. Feierlich und gemessen, ohne zu schleppen
Hermann Scherchen & London Philharmonic Orchestra
Symphony No. 1 "Titan": IV. Stuermish bewegt
Hermann Scherchen & London Philharmonic Orchestra
Symphony No. 2 "Resurrection": I. Allegro maestoso
Hermann Scherchen & Vienna Philharmonic
Symphony No. 2 "Resurrection": II. Andante moderato
Hermann Scherchen & Vienna Philharmonic
Symphony No. 2 "Resurrection": III. Scherzo. In ruhug fliessender Bewegung
Hermann Scherchen & Vienna Philharmonic
Symphony No. 2 "Resurrection": IV. 'Urlicht'. Sehr feierlich, aber schlicht
Hermann Scherchen & Vienna Philharmonic
Symphony No. 2 "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend
Hermann Scherchen & Vienna Philharmonic