On a Ground

An Italian Ground

Tollet's Ground (Arr. for Recorder & Baroque Harp by Michala Petri & Marie Nishiyama)

Faronells Ground (Arr. for Recorder & Baroque Harp by Michala Petri & Marie Nishiyama)

Greensleeves to a Ground (Arr. for Recorder & Baroque Harp by Michala Petri & Marie Nishiyama)

Recercada primera (Arr. for Recorder & Baroque Harp by Michala Petri & Marie Nishiyama)

Recercada segunda (Arr. for Recorder & Baroque Harp by Michala Petri & Marie Nishiyama)

Recercada tercera (Arr. for Recorder & Baroque Harp by Michala Petri & Marie Nishiyama)

Recercada quarta (Arr. for Recorder & Baroque Harp by Michala Petri & Marie Nishiyama)

Recercada quinta (Arr. for Recorder & Baroque Harp by Michala Petri & Marie Nishiyama)

Recercada sesta (Arr. for Recorder & Baroque Harp by Michala Petri & Marie Nishiyama)

Recercada settima (Arr. for Recorder & Baroque Harp by Michala Petri & Marie Nishiyama)

Recercada ottava (Arr. for Recorder & Baroque Harp by Michala Petri & Marie Nishiyama)

Oboe Concerto in D Minor, S. Z799: II. Adagio (Arr. for Recorder & Baroque Harp by Michala Petri & Marie Nishiyama)

Harpsichord Concerto in F Minor, BWV 1056: II. Largo (Arr. for Recorder & Baroque Harp by Michala Petri & Marie Nishiyama)

Dreams (Arr. for Recorder & Baroque Harp by Michala Petri & Marie Nishiyama)

Sunset Dance (Arr. for Recorder & Baroque Harp by Michala Petri & Marie Nishiyama)

Twilight on a Ground (Arr. for Recorder & Baroque Harp by Michala Petri & Marie Nishiyama)

Waves on a Ground (Arr. for Recorder & Baroque Harp by Michala Petri & Marie Nishiyama)

3 Gymnopédies (Arr. for Recorder & Baroque Harp by Michala Petri & Marie Nishiyama): No. 1, Lent et douloureux

3 Gymnopédies (Arr. for Recorder & Baroque Harp by Michala Petri & Marie Nishiyama): No. 2, Lent et triste

3 Gymnopédies (Arr. for Recorder & Baroque Harp by Michala Petri & Marie Nishiyama): No. 3, Lent et grave

Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits (Arr. for Recorder & Baroque Harp by Michala Petri & Marie Nishiyama)

The Well-Tempered Clavier, Book I: Prelude & Fugue in C Major, BWV 846: I. Prelude (Arr. for Baroque Harp by Marie Nishiyama)

Ave Maria, CG 89a (After Bach's BWV 846) [Arr. for Recorder & Baroque Harp by Michala Petri & Marie Nishiyama]