Beethoven: Complete Works for Cello & Piano Vol. 1

Cello Sonata No. 1, Op. 5 No. 1, In F Major (1796): Adagio sostenuto

Cello Sonata No. 1, Op. 5 No. 1, In F Major (1796): Allegro

Cello Sonata No. 1, Op. 5 No. 1, In F Major (1796): Rondo. Allegro vivace

Cello Sonata No. 2, Op. 5 No. 2, In G Minor (1796): Adagio sostenuto e espressivo

Cello Sonata No. 2, Op. 5 No. 2, In G Minor (1796): Allegro molto più tosto presto

Cello Sonata No. 2, Op. 5 No. 2, In G Minor (1796): Rondo. Allegro

Twelve Variations on Mozart's "ein Mädchen oder Weibchen", for Cello and Piano Op. 66, in F Major (1796)

Twelve Variations on "see, the conqu'ring hero comes", from Handel's Judas Maccabaeus, for Cello and Piano WoO 45 (1796)

Cello Sonata No. 3 Op. 69, in A Major (1808): Allegro ma non tanto

Cello Sonata No. 3 Op. 69, in A Major (1808): Scherzo. Allegro molto

Cello Sonata No. 3 Op. 69, in A Major (1808): Adagio cantabile

Cello Sonata No. 3 Op. 69, in A Major (1808): Allegro vivace

Cello Sonata No. 5, Op. 102, No. 2, In D Major (1815): Andante – Allegro vivace

Cello Sonata No. 5, Op. 102, No. 2, In D Major (1815): Adagio – Tempo d'andante

Cello Sonata No. 5, Op. 102, No. 2, In D Major (1815): Allegro vivace

Cello Sonata No. 5, Op. 102, No. 2, In D Major (1815): Allegro con brio

Cello Sonata No. 5, Op. 102, No. 2, In D Major (1815): Adagio con molto sentimento d'affetto – Attacca

Cello Sonata No. 5, Op. 102, No. 2, In D Major (1815): Allegro – Allegro fugato

Seven Variations on "bei Männern welche Liebe fühlen", from Mozart's the Magic Flute for Cello and Piano WoO 46, in e♭ major: \