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Mahler: Les symphonies - La discothèque idéale de Diapason, ...

by Various Artists
68 SONGS
Sep 2023
Symphony No. 1 "Titan": I. Langsam. Schleppend, wie ein Naturlaut
Paul Kletzki
Symphony No. 1 "Titan": II. Kräftig, bewegt, doch nicht zu schnell
Wiener Philharmoniker & Paul Kletzki
Symphony No. 1 "Titan": III. Feierlich und gemessen, ohne zu schleppen
Wiener Philharmoniker & Paul Kletzki
Symphony No. 1 "Titan": IV. Stürmisch bewegt
Wiener Philharmoniker & Paul Kletzki
Symphony No. 1 "Titan": III. Feierlich und gemessen, ohne zu schleppen
Wiener Symphoniker & Jascha Horenstein
Symphony No. 2 "Resurrection": III. In ruhig fliessender Bewegung (Scherzo)
Concertgebouw Orchestra & Rafael Kubelik
Symphony No. 2 "Resurrection": IV. Urlicht, "O Röschen rot! Der Mensch liegt in grösster Not". Sehr feierlich aber schlicht (Contralto)
Kathleen Ferrier, Concertgebouw Orchestra & Otto Klemperer
Symphony No. 2 "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
Bruno Walter, New York Philharmonic
Symphony No. 2 "Resurrection": II. Andante moderato. Sehr gemächlich, nie eilen
Bruno Walter, New York Philharmonic
Symphony No. 2 "Resurrection": III. In ruhig fliessender Bewegung (Scherzo)
Bruno Walter, New York Philharmonic
Symphony No. 2 "Resurrection": IV. Urlicht, "O Röschen rot! Der Mensch liegt in grösster Not". Sehr feierlich aber schlicht (Contralto)
Maureen Forrester, New York Philharmonic & Bruno Walter
Symphony No. 2 "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend - "Aufersteh'n". Langsam, misterioso (Soprano, Chorus) - "O glaube, mein Herz". Etwas bewegter (Contralto, Soprano, Chorus)
Emilia Cundari, Maureen Forrester, Westminster Choir, New York Philharmonic & Bruno Walter
Symphony No. 3, Pt. 1: I. Kräftig, Entschieden
New York Philharmonic & Leonard Bernstein
Symphony No. 3, Pt. 2: II. Tempo di Menuetto. Sehr mässig
New York Philharmonic & Leonard Bernstein
Symphony No. 3, Pt. 2: III. Comodo, Scherzando. Ohne Hast
New York Philharmonic & Leonard Bernstein
Symphony No. 3, Pt. 2: IV. Sehr langsam. Misterioso. Durchaus leise, "O Mensch! Gib acht!" (Alto)
New York Philharmonic, Leonard Bernstein & Martha Lipton
Symphony No. 3, Pt. 2: V. Lustig im Tempo und keck im Ausdruck, "Es sungen drei Engel" (Chorus, Alto)
New York Philharmonic, Leonard Bernstein, Martha Lipton, Women's Chorus of the Schola Cantorum & Boys' Choir of the Church of Transfiguration
Symphony No. 3, Pt. 2: VI. Langsam, Ruhevoll. Empfunden
New York Philharmonic & Leonard Bernstein
Symphony No. 10: I. Adagio - Andante
George Szell & The Cleveland Orchestra
Symphony No. 3, Pt. 2: III. Comodo, Scherzando. Ohne Hast
Wiener Symphoniker / Charles Adler
Symphony No. 2 "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend - "Aufersteh'n". Langsam, misterioso (Soprano, Chorus) - "O glaube, mein Herz". Etwas bewegter (Contralto, Soprano, Chorus)
Jo Vincent, Kathleen Ferrier, Choir of the Concertgebouw Orchestra, Concertgebouw Orchestra & Otto Klemperer
Symphony No. 4: I. Bedächtig, nicht eilen
Fritz Reiner & Chicago Symphony Orchestra
Symphony No. 4: II. In gemächlicher Bewegung, ohne Hast
Fritz Reiner & Chicago Symphony Orchestra
Symphony No. 4: III. Ruhevoll, poco adagio
Fritz Reiner & Chicago Symphony Orchestra
Symphony No. 4: IV. Sehr behaglich. "Wir geniessen die Himmlischen Freuden" (Soprano)
Chicago Symphony Orchestra, Fritz Reiner & Lisa Della Casa
Symphony No. 4: I. Bedächtig, nicht eilen
Willem Mengelberg, Concertgebouw Orchestra
Symphony No. 4: II. In gemächlicher Bewegung, ohne Hast
Willem Mengelberg, Concertgebouw Orchestra
Symphony No. 5, Pt. 1: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
London Symphony Orchestra & Rudolf Schwarz
Symphony No. 5, Pt. 1: II. Stürmisch bewegt, mit grösster Vehemenz
London Symphony Orchestra & Rudolf Schwarz
Symphony No. 5, Pt. 2: III. Scherzo. Kräftig, nicht zu schnell
London Symphony Orchestra & Rudolf Schwarz
Symphony No. 5, Pt. 3: IV. Adagietto. Sehr langsam
London Symphony Orchestra & Rudolf Schwarz
Symphony No. 5, Pt. 3: V. Rondo-Finale. Allegro
London Symphony Orchestra & Rudolf Schwarz
Symphony No. 5, Pt. 3: IV. Adagietto. Sehr langsam
Willem Mengelberg, Concertgebouw Orchestra
Symphonic No. 6 "Tragic": I. Allegro energico, ma non troppo. Heftig, aber markig.
Dimitri Mitropoulos & New York Philharmonic
Symphonic No. 6 "Tragic": III. Andante moderato
Dimitri Mitropoulos & New York Philharmonic
Symphonic No. 6 "Tragic": II. Scherzo. Wuchtig
Dimitri Mitropoulos & New York Philharmonic
Symphonic No. 6 "Tragic": IV. Finale. Sostenuto - Allegro moderato - Allegro energico
Dimitri Mitropoulos & New York Philharmonic
Symphony No. 7: I. Langsam - Etwas weniger langsam - Nicht schleppen - Allegro con fuoco
Kirill Kondrashin & Moscow Philharmonic Orchestra
Symphony No. 7: II. Nachtmusik. Allegro moderato
Kirill Kondrashin & Moscow Philharmonic Orchestra
Symphony No. 7: III. Scherzo. Schattenhaft
Kirill Kondrashin & Moscow Philharmonic Orchestra
Symphony No. 7: IV. Nachtmusik. Andante amoroso
Kirill Kondrashin & Moscow Philharmonic Orchestra
Symphony No. 7: V. Rondo - Finale. Tempo I (Allegro ordinario)
Kirill Kondrashin & Moscow Philharmonic Orchestra
Symphony No. 7: III. Scherzo. Schattenhaft
Wiener Symphoniker & Hermann Scherchen
Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Veni, creator spiritus" (Chorus 1, Chorus 2)
Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, London Symphony Orchestra & Jascha Horenstein
Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Imple superna gratia" (Soprano 1, Tenor, Soprano 2, Contralto 1, Contralto 2, Baritone, Bass, Chorus 1, Chorus 2)
Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, London Symphony Orchestra & Jascha Horenstein
Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Infirma nostri corporis" (Chorus 1, Chorus 2, Soprano 1, Soprano 2, Contralto 1, Contralto 2, Tenor, Bass, Baritone)
Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, London Symphony Orchestra & Jascha Horenstein
Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: Tempo primo. Allegro, etwas hastig
Jascha Horenstein & London Symphony Orchestra
Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Infirma nostri corporis" (Bass, Tenor, Contralto 1, Contralto 2, Baritone, Soprano 1, Soprano 2)
Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, London Symphony Orchestra & Jascha Horenstein
Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Accende lumen sensibus" (Soprano 1, Soprano 2, Contralto 1, Contralto 2, Tenor, Baritone, Bass, Boys' Choir, Chorus 1, Chorus 2)
Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra & Jascha Horenstein
Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Veni, creator spiritus" (Soprano 1, Soprano 2, Contralto 1, Contralto 2, Tenor, Baritone, Bass, Chorus 1, Chorus 2, Boys' Choir)
Joyce Barker, Beryl Hatt, Kerstin Meyer, Helen Watts, Kenneth Neate, Alfred Orda, Arnold van Mill, Goldsmith's Choral Union, Hampstead Choral Society, BBC Choral Society, BBC Chorus, Emanuel School Boy's Choir, Orpington Junior Singers, London Symphony Orchestra & Jascha Horenstein
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