Monocle on Culture

Ryuichi Sakamoto in mixed reality

Literature in London

Anselm Kiefer’s ‘Finnegans Wake’ and fake artworks at The Courtauld

Beatie Wolfe’s “sonic self-portrait”, Hong Kong Mixtape and Esperanza Spalding

‘The Stones and Brian Jones’

Review: ‘Are You There, God? It’s Me, Margaret’ and ‘Return to Seoul’

Jessie Ware

What to read this spring

Dameer, ‘Cairo Conspiracy’ and the Tenderloin Arts Festival

On Collecting: Erving and Joyce Wolf

Guillermo del Toro

This year’s Oscar nominations

Looking ahead to 2023

Twenty years of Art Basel Miami Beach

‘The Menu’ and food on the big screen

‘The Menu’ and food on the big screen

‘Kingdom of Dreams’: the golden age of high fashion

On Collecting: William S Paley

George Saunders

Benjamin Clementine

The Banshees of Inisherin

Do literary prizes still matter?

Commercial photography – or fine art?

Espionage, Black History Month and ‘Natasha’

The music press: how it started and where it’s going

Autumn preview

‘Queer Eye’

The Irishman

‘Sweet Sorrow’ by David Nicholls

The RA’s Summer Exhibition

‘Into the Night’

Christmas crooners

‘Diego Maradona’ and ‘Halston’

‘Rolling Thunder Revue’

Olafur Eliasson at the Tate Modern

‘Once Upon a Time in Hollywood’

‘The Offing’ by Benjamin Myers

‘Hustlers’

Autumn preview

Will Apple be the new Netflix?

The Street

The Crown

‘Among the Trees’

Steve McQueen at Tate Modern

‘Adults’ by Emma Jane Unsworth

The best of 2019

Portrait of a Lady on Fire

Parasite

The best of 2019

2020 lookahead