Get the app
Help
Download the app
Anghami Plus
Browse content
Moods and genres
Podcasts
OSN Plus
Subtext: Conversations about Classic Books and Films
by WES ALWAN AND ERIN O'LUANAIGH
140 EPISODES
Mar 2021
Play for free
All Episodes
Containment and Play in “Jaws”
WES ALWAN AND ERIN O'LUANAIGH
The Door Slam Heard ‘Round the World: Ibsen’s “A Doll’s House” (Part 2)
WES ALWAN AND ERIN O'LUANAIGH
The Door Slam Heard ‘Round the World: Ibsen’s “A Doll’s House”
WES ALWAN AND ERIN O'LUANAIGH
Anti-Mystery in “Picnic at Hanging Rock” (Part 2)
WES ALWAN AND ERIN O'LUANAIGH
Anti-Mystery in “Picnic at Hanging Rock”
WES ALWAN AND ERIN O'LUANAIGH
“The Indian to His Love” by William Butler Yeats
WES ALWAN AND ERIN O'LUANAIGH
“Leda and the Swan” by William Butler Yeats
WES ALWAN AND ERIN O'LUANAIGH
The Artifice of Eternity in Yeats’s “Sailing to Byzantium” (Part 2)
WES ALWAN AND ERIN O'LUANAIGH
The Artifice of Eternity in Yeats’s “Sailing to Byzantium”
WES ALWAN AND ERIN O'LUANAIGH
The Evil of Banality in “Rosemary’s Baby” (1968) – Part 2
WES ALWAN AND ERIN O'LUANAIGH
The Evil of Banality in “Rosemary’s Baby” (1968)
WES ALWAN AND ERIN O'LUANAIGH
“Where the Meanings Are” – Four Poems by Emily Dickinson – Part 4
WES ALWAN AND ERIN O'LUANAIGH
“Where the Meanings Are” – Four Poems by Emily Dickinson – Part 3
WES ALWAN AND ERIN O'LUANAIGH
“Where the Meanings Are” – Four Poems by Emily Dickinson – Part 2
WES ALWAN AND ERIN O'LUANAIGH
“Where the Meanings Are” – Four Poems by Emily Dickinson
WES ALWAN AND ERIN O'LUANAIGH
The Weight of Memory in Hitchcock’s “Rebecca” (1940) – Part 2
WES ALWAN AND ERIN O'LUANAIGH
The Weight of Memory in Hitchcock’s “Rebecca” (1940)
WES ALWAN AND ERIN O'LUANAIGH
Possibility and Loss in the Poetry of Rainer Maria Rilke (Part 2)
WES ALWAN AND ERIN O'LUANAIGH
Possibility and Loss in the Poetry of Rainer Maria Rilke
WES ALWAN AND ERIN O'LUANAIGH
Irony as Anesthetic in Robert Altman’s “M.A.S.H” (1970) – Part 2
WES ALWAN AND ERIN O'LUANAIGH
Irony as Anesthetic in Robert Altman’s “M.A.S.H” (1970)
WES ALWAN AND ERIN O'LUANAIGH
Aesthetic Humility in Marianne Moore’s “The Jerboa” (Part 2)
WES ALWAN AND ERIN O'LUANAIGH
Aesthetic Humility in Marianne Moore’s “The Jerboa”
WES ALWAN AND ERIN O'LUANAIGH
Word and Image in “Sunset Boulevard” (1950) – Part 2
WES ALWAN AND ERIN O'LUANAIGH
Word and Image in “Sunset Boulevard” (1950)
WES ALWAN AND ERIN O'LUANAIGH
The Sublime Mundane in Conrad Aiken’s “Morning Song of Senlin” (Part 2)
WES ALWAN AND ERIN O'LUANAIGH
The Sublime Mundane in Conrad Aiken’s “Morning Song of Senlin”
WES ALWAN AND ERIN O'LUANAIGH
The Aesthetics of Death in “Beetlejuice” (1988) (Part 2)
WES ALWAN AND ERIN O'LUANAIGH
The Aesthetics of Death in “Beetlejuice” (1988)
WES ALWAN AND ERIN O'LUANAIGH
A Strange Fashion of Forsaking in the Poetry of Thomas Wyatt (Part 2)
WES ALWAN AND ERIN O'LUANAIGH
A Strange Fashion of Forsaking in the Poetry of Thomas Wyatt (Part 1)
WES ALWAN AND ERIN O'LUANAIGH
Formal Meets Feral in “A New Leaf” (Elaine May, 1971) – Part 2
WES ALWAN AND ERIN O'LUANAIGH
Formal Meets Feral in “A New Leaf” (Elaine May, 1971) – Part 1
WES ALWAN AND ERIN O'LUANAIGH
Love Dishonored in Euripides’ “Medea” (Part 6)
WES ALWAN AND ERIN O'LUANAIGH
Love Dishonored in Euripides’ “Medea” (Part 5)
WES ALWAN AND ERIN O'LUANAIGH
Love Dishonored in Euripides’ “Medea” (Part 4)
WES ALWAN AND ERIN O'LUANAIGH
Love Dishonored in Euripides’ “Medea” (Part 3)
WES ALWAN AND ERIN O'LUANAIGH
Love Dishonored in Euripides’ “Medea” (Part 2)
WES ALWAN AND ERIN O'LUANAIGH
Love Dishonored in Euripides’ “Medea” (Part 1)
WES ALWAN AND ERIN O'LUANAIGH
Love and Loneliness in “Arthur” (1981) – Part 2
WES ALWAN AND ERIN O'LUANAIGH
Love and Loneliness in “Arthur” (1981) – Part 1
WES ALWAN AND ERIN O'LUANAIGH
Courtly Reciprocity in “Laustic” and “Guigemar” by Marie de France (Part 2)
WES ALWAN AND ERIN O'LUANAIGH
Courtly Reciprocity in “Laustic” and “Guigemar” by Marie de France (Part 1)
WES ALWAN AND ERIN O'LUANAIGH
Sight and Solitude in Le Samouraï (1967) by Jean-Pierre Melville (Part 2)
WES ALWAN AND ERIN O'LUANAIGH
Sight and Solitude in Le Samouraï (1967) by Jean-Pierre Melville (Part 1)
WES ALWAN AND ERIN O'LUANAIGH
“Notes from the Underground” by Fyodor Dostoyevsky: An Anatomy of Human Self-Destructiveness (Part 2)
WES ALWAN AND ERIN O'LUANAIGH
“Notes from the Underground” by Fyodor Dostoyevsky: An Anatomy of Human Self-Destructiveness (Part 1)
WES ALWAN AND ERIN O'LUANAIGH
Staking Claims in “The Treasure of the Sierra Madre” (1948) (Part 2)
WES ALWAN AND ERIN O'LUANAIGH
Staking Claims in “The Treasure of the Sierra Madre” (1948) (Part 1)
WES ALWAN AND ERIN O'LUANAIGH
Psychedelic Regrets in “Rime of the Ancient Mariner” (Part 6)
WES ALWAN AND ERIN O'LUANAIGH